But those are also good features of high speed digital photography as I get to re-live the race looking at the pix. Shooting at 5 of more frames per second is like watching a movie and blinking repeatedly -- you don't really "see" what the camera is capturing. An old rule of thumb is: if you see it you didn't get the picture. So I have to look at everything afterwards (and then watch the DVD recorded while at the race of course) to really understand what happened sometimes. It's especially bad on road courses where walking from place to place to shoot takes time, PA systems usually are woefully weak (with earplugs in, it's almost impossible to hear anything but car noise anyway), and the quest for variety in my images pushes me from spot to spot. It's all good.
This week, much of the racing world will focus on Indianapolis again, with the Sprint Cup teams converging on the westside for the Brickyard 400 for the 15th time. It's hard to believe there have been that many already! I'm ready to go, having picked up my credentials today to cover the event for American Motor Journal, and it will be nice to sleep in my own bed and still get to racetracks! I also get to shoot the USAC midgets and Silver Crown series run Thursday night at O'Reilly Raceway Park so that will be fun and another opportunity to perfect my high speed flash work. The only thing missing this year are boats, F1 and lawnmowers I suppose!
Click on the following image to see a collection of Indycar, Indy Lights and American LeMans series action from Mid Ohio. Post #101 and counting! Call me the rain man when you see me at the track and be sure to bring a poncho.
|Indy Racing League Indy Lights American LeMans Series|